For Beyond Provenance three artefacts were selected that each have different values and “uses”. They were looted by the Dutch and have recently been restituted from the Netherlands to Indonesia. With each artefact, a duo was formed and supported in making a film about it. With each team consisting of an Indonesian artist and Netherlands-based artist, three widely distinctive and imaginative films were created: Sharp Objects about the Keris Klungkung (dagger), The Stone That Remembers about the Durga Mahisasuramardini (statue) and Idak-Idak-Idak about the Lombok Treasure (array of regalia, objects, heirlooms, and gemstones).
'Sharp Objects' follows the forgotten story of the Klungkung keris back to it's origins and to its post-colonial relevance to Bali today, tracing the looting of the keris to modern day tourism in Bali. The film juxtaaposes the 'knowledge' of colonial archives against community-based knowledge and mythology, convoluting the understanding of what is preserved, what is dead and what is lost.
'The Stone That Remembers' interprets the Durga Mahisasuramardini statue's journey from its home, the Singhasari Temple, to the hands of colonizers, and various museums. The film follow the patriarchal displacement of a woman that represents the Durga, exploring the parallels between the fate of the statue and many women today.
'Idak-Idak-Idak' is a hybrid-documentary relating the stolen Lombok Treasures with the Sasak diaspora through three generations of women: a daughter, her mother, and her grandmother.
Blending full-spectrum cinematography with personal footage, this film moves between Indonesia and the Netherlands to examine colonial legacies, displacement and healing the heart of home.